Best Mac Photo Editing Software 2019 - Photo Editor Reviews

Many of us still keep our main libraries on our Macs because of its faster processors, larger storage, and all-around bigger computing power. The Mac is still the best device for serious photo editing, so you need some serious photo editing apps to make an impact. The built-in Photos app on Mac offers several useful photo editing tools.

Recently, we spent over 50 hours testing 10 Mac photo editing programs. We compared the programs' editing capabilities by importing the same group of photos into each one and applying the same edits. We also took into account how easy each program is to use, preferring those that are powerful as well as easy to learn. We further evaluated each software’s photo organizing features, including how many categorization and search options it offers. After all our testing was said and done, CyberLink PhotoDirector Ultra 10 stood out as the best Mac photo editing software. We think it is a good fit for users of any skill level, but it has features that make it especially good for beginners. To find out if this software is a good option for you, check out CyberLink’s 30-day free trial.

CyberLink PhotoDirector Ultra 10

PhotoDirector not only offers some of the easiest-to-use editing tools, it also offers one of the best photo organizing systems we've seen.

Pixelmator 3.3

Pixelmator 3.3 is easy to learn and costs less than many other programs. It is compatible with a wide range of file types and offers editing tools to enhance your images like a pro.

Affinity Photo

This software's tools are comparable to Adobe Photoshop. One of the biggest differences between the two programs is Affinity's lower-cost.

Best Overall

CyberLink PhotoDirector Ultra 10

CyberLink PhotoDirector Ultra is one of the easiest programs to use, which makes it ideal for beginners.

Experienced users will also find that it offers the tools needed to edit and organize their work. You can arrange your photos using a star rating system, color labels, keyword tags and even by tagging specific people's faces. There is a wide range of editing tools and we found that they work super well when making changes. The object removal tool was especially impressive, removing unwanted elements and replacing the space believably. We also found an easy HDR feature and lens distortion correction tools. Unfortunately, there were no vector graphics tools.
The interface is built differently than many other photo editing programs. Instead of displaying toolbar icons, the program is split into category tabs, which contain various editing tools. Instead of simply clicking on the cloning brush icon in the toolbar, you'll need to click on the 'People Beautifier' tab in the 'Edit' section to access this feature. PhotoDirector works with the most common image file types including PSD, JPG, TIFF and RAW files. This software also makes it easy to post your favorite images directly to Facebook or send your photos to loved ones using email from within the program. You'll find tutorials and a FAQs page on the website. While emailing the company is free, you have to pay for a phone support plan if you want to get technical help.

Best Budget

Pixelmator 3.3

Pixelmator 3.3 is a less-expensive photo editor with advanced editing capabilities. Considering all included tools, this is a very good value.

You get all the basic tools such as red-eye removal, selection tools, and color management, along with more advanced tools like background removal, creative filters and automatic editing options. Unfortunately, while the program works in layers, you cannot apply layer masks to your images. You also cannot easily fix lens distortion, create HDR images or stitch together panoramas with this software. There is no organizing system, so you will have to purchase a dedicated program if you want that capability. You can, however, view your photos' EXIF information.
Pixelmator works with the most common image files, including RAW, JPEG, TIFF, PNG, GIF, PSD and PDF. It can also help you optimize your photos for online usage. You can post photos directly onto social media sites such as Facebook, or email photos from within the program, but there is no online photo gallery. Also, you cannot make animated GIFs with this software.
If you want help with Pixelmator, there are various video tutorials, FAQs and even a user forum to help you learn and find answers. If you want to contact a representative, you can do so via email.

Best Alternative to Photoshop

Affinity Photo

Affinity Photo is one of the most powerful photo editing programs we tested. It didn't score as high as other program since it lacks a photo organizing feature.

You'll find that many of the tools you use in Photoshop are also in this program. In fact, it uses many of the same hotkeys. We were quickly able to remove unwanted objects from our photos with the content-aware fill tool. We counted 42 preset filters in the program that you can quickly add to your images.
We also found it easy to work with and manipulate the various layers as we worked. The program will help you create HDR photos and panoramas using simple step by step windows. There is no lens distortion tool per se, however, you can use the perspective tools to fix any warping caused by your camera. This program can be bought for a one-time purchase of roughly $50, which is much cheaper than Adobe's monthly or yearly subscription plans.
Affinity does offer a free demo of the software, but you'll need to use it quickly as it only lasts for 10 days. There is no photo organizing system built-in to this software so if you're specifically wanting a program that can sort your images, this might not be the best choice for you. We didn't find any printing project resources within the program. It will only allow you to make basic print requests.

Best for Learning Adobe

Adobe Photoshop Elements 2018

Adobe Photoshop Elements 2018 is one of the best Mac photo editors on the market. You navigate through the interface by choosing between the Guided, Quick and Expert modes. As expected, Guided mode helps you become acquainted with the various tools. It even offers tutorials and written instructions to fully explain everything.

Quick mode allows you to automatically make common adjustments to your photos, which can save time when you know your enhancements won't take long. You can adjust contrast, brightness and color. The Expert Mode gives you access to all of Photoshop Elements' tools.
There are more than 90 filters that can quickly add artistic effects to your favorite images. It also features advanced tools like content-aware fill, which gets rid of objects in an image and fills the space believably.
Photoshop Elements comes with Elements Organizer 2018, a separate program dedicated to organizing your photos. You can tag photos by time, date, name and rating. While Elements Organizer 2018 allows you to organize and catalogue your photos in a variety of ways, it can get tiresome jumping between the two programs. You can use Elements Organizer 2018 to store your photos directly in the cloud so you can access them anytime, anywhere.
This program is compatible with all the common image file types, including RAW, PDF, PSD, PNG, GIF and TIFF. You can also choose to share your photos directly onto Flickr, Facebook and Twitter. Should you need help, there are dozens of video tutorials online along with user forums and a FAQs page.

Best for Making HDR Images

Acorn 6

Use the tools to alter the hue, brightness and contrast of your images to make them look the way you want them to.

This software also works in layers to quickly view and select various elements when making changes. You can create both HDR and panoramic images using this software. The HDR guide steps you through the process making it easier to combine two or more images into one for a vibrant and lively finished product. Since it works with HDR images, it's not surprising that the software is compatible with RAW images, in addition to the most common file types. There is no photo organizer, so you'll have to purchase another one separately if you're wanting to manage your images. Fortunately, it does include a batch processor to make changes to multiple images at once and save you time. The cloning tool can help you eliminate unwanted objects from your images whether that be acne from a portrait or phone wires from a landscape. It also happens to be one of the least expensive programs in our comparison, selling for roughly $30.

Why Trust Us?

We have been testing Mac photo editing software for the past seven years. Whenever we evaluate products, we use the same testing methodology on each product to get fair and honest results. Our testers are often a mixture of experienced and inexperienced users, so we can gauge how different audiences react to a piece of software. With photo editing software, we look at every feature, tool and capability to determine how useful and intuitive each program is overall. Our testing helps us determine whether or not a program is best for beginners, advanced users or a mixture of both. We prefer to recommend programs that help you grow from a novice to an experienced artist while offering all of the best editing tools and sharing capabilities.

We contacted Brooklyn Parks - a graphic designer of 6 years – and Lisa Dixon – a professional photographer of 4 years to get more insights about photo editing programs. We also reached out to John Yoo, Head of Sales at CyberLink to learn more about PhotoDirector Ultra.

How Much Does Mac Photo Editing Software Cost?

You'll find that the best Mac photo editing software ranges between $30 and $100. Usually, programs costing $50 and up will give you more creative freedom and control over your work. The excessively expensive programs that cost more than $100 aren't always worth the cost, since you can usually find a program that fits your needs for less. Determine the tools and features you want most and then choose a program that offers them.

How We Tested

This year alone, we spent 50 hours testing 10 products. Our testers are graphic designers and photographers with a range of photo editing software skills. To determine which programs have the best editing capabilities, we uploaded the same images to each piece of software and applied the same edits. We paid attention to the intuitiveness of each product and compared the edited images side by side.

When the programs allowed, we also shared images to social media sites to see how well the sharing process worked. Programs with more editing features scored higher, while programs with fewer features scored lower. Our ease-of-use score was determined by the number of tools each program offered combined with the effectiveness of applied edits and the intuitiveness of each program's interface. Programs that were well organized and offered plenty of help tools scored higher.

We looked at file compatibility and awarded programs with more points when they worked with a wider range of common image file types. This also included the ability to optimize images for use on the web. The best software also comes with extensive resources, especially online video tutorials. Programs that offered a larger quantity of quality video instructions, a FAQs page and a user forum scored higher in our review.

What to Look For

Editing Tools

When we spoke to Parks, she told us that the best programs are the ones with intuitive tools. 'The name makes it obvious for what [the tool] does and it's easier to find what you are looking for,' she said. We score programs higher that were easier to use, this included making it easier to find the specific tools you need. What you need from a photo editor depends on what you intend to do with your images. Any true photo editor should offer basic editing tools like red-eye removal, cropping, color management, shape tools and the ability to add text to images. More comprehensive programs also have background removal software and a variety of brushes. Advanced tools help you make fine tweaks to your photos like touching up skin blemishes with touch-up or cloning tools.

It's also nice having a program that can fix lens distortion and create panoramas and HDR images. Batch processing is a super-convenient feature that allows you to make the same edits to several images at once. If you plan on taking dozens of photos at a time on a frequent basis, it's worth finding a program that offers it.

Yoo told us that if you can take the time to correctly adjust your camera before taking your photo, you will save yourself some hassle. 'The biggest lesson I learned that saved me time in post-processing was to take the extra time to compose the photo and light in the beginning when shooting. A well-composed photo will save you a lot of time later.' So, it's worth taking the time to prepare your scene.

Pricing
As far as Mac photo editing software goes, you should be able to find a basic editing program for under $100, typically starting for as little as $30. Paying more than $100 will often land you a professional editing program with additional editing tools and presets compared to the basic versions. It's good to note that you don't always have to pay the more expensive prices to get the specific tools you need. Before making your purchase consider what you think are the most important tools and find a software that offers them. If content-aware and cosmetic brush tools are most important to you, you can get a relatively cheap program that still includes those options like Affinity Photo. Programs generally have a trial period as well, so use this to try out the software and see which ones work best for you.

Organizing
Not all photo editing programs come with built-in photo organizing systems. While this isn't a critical feature, it can be incredibly convenient and save you time. The most common systems organize by location, faces, dates, times, titles, ratings and color labels. Categorization options vary from program to program.

File Compatibility
Since file compatibility is an important factor of a program's usability, we gave more points to programs that covered the most common image files such as RAW, JPEG, TIFF, PNG, GIF, PSD and PDF. Make sure you choose a program that works with the file types you use most. Yoo told us, 'I always shoot in RAW since it keeps the most light information in case I need to edit.' RAW images give you the most control over the editing process when they are imported into editing programs, which is why many photographers prefer to work with them.

Sharing Capabilities
Being able to post photos to Facebook or email them to family and friends directly within a photo editing program is a nice feature. Many companies offer online photo gallery accounts for you to use for free, but some cost extra. This can be a good place to back up your photos in case of computer failure.

Free Photoshop Editor For Mac

If you plan on printing your photos or designs, Dixon told us it's best to work with 300 dpi, which is short for “dots per inch”. 'You can print pretty much anything,' she said. Many photo editing programs allow you to determine the resolution and size of new files or adjust the resolution and size of current images. This high resolution allows you to print images the size of movie posters and larger without getting blurry or pixelated imagery.

Parks told us that a super simple thing to help you when using photo editing software is to know the size of your project before you start. 'It will save you headaches later on,' she explained, 'otherwise when you transfer your files it can look like garbage.' Pulling a small image onto a larger file can make the small image pixelated and blurry so it's best to know the size of your end goal project when you start.

Help & Support
Advanced photo editors have so many features that you will likely need help learning how to use them. Video tutorials, FAQs pages and user forums can go a long way in helping you become an editing expert. Look for companies that also offer customer service in the method that you most prefer, whether through email, live chat or phone.

Parks told us that 'the biggest resource for learning is YouTube.' She further explained that she loves using it to find multiple ways to solve the same problem. If you ever get stumped jump on the web and see what other users have figured out.

Tips from the Pros

• If you're wanting to add vectors and symbols to your work, Parks suggests you use The Noun Project, a royalty-free icon library. 'You pay for vectors or PNG objects and symbols. It saves you a lot of time.'
• 'There are a billion artists and YouTube tutorials out there. There are things out there that already exist, there are pictures for you to use. Don't steal things outright, but use things to help you make something.' Many professional artists and graphic designers use imagery that already exists but combine it in a new way to make something unique. As long as you aren't stealing someone else's work, this can be a good method for enhancing your own photography.
• As parting thoughts, Parks explained, 'When looking for a job, it might not be something you imagined, but you can get something using [photo editing] skills.' We couldn't agree more. Being able to use this kind of software opens doors to many different job opportunities, from freelance work to positions within a company.

More Photo Editing Guides:

Related Product Reviews

It’s no longer enough for a photo editing application to be great at what it does in isolation. Modern computing is defined by connected workflows. The ability to pass tasks seamlessly between devices, between contexts, and between coworkers is increasingly important.

That’s why, despite some potent new competitors, Adobe Lightroom remains our pick for the best photo editing and management application for mainstream users. Lightroom provides a strong editing and photo library management environment, but it also builds a powerful ecosystem of apps, learning resources, and community around those tools.

It’s a joint pick, in fact, because Lightroom now exists as two distinct versions: the cloud-first Lightroom CC, and the familiar, more powerful Lightroom Classic CC. Both have their merits, and we’ll discuss what kind of user each is best suited for.

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How We Chose

It’s important to note that this comparison is specific to photo editors that also provide Digital Asset Management (DAM) features.

This all-in-one approach is appealing not only because it provides an integrated workflow, but because it allows you to manage your photo files with more organizational control than a simple file structure would. We’re interested in tools that are designed to take you from initial import and culling all the way to final polish and export.

As a result, while standalone editors like Adobe Photoshop, Affinity Photo, Pixelmator Pro, Skylum Luminar, etc. are fantastic at what they do, they are beyond the scope of this piece.

Main Criteria

That first restriction narrowed our field of contenders significantly, and from there we considered the remaining apps according to the following characteristics:

1. Features and processing quality: It’s all too common to see photo editors judged based on their initial rendering of a file rather than the potential results after processing. While initial rendering can be a useful data point, it doesn’t say enough about the quality of the processing engine.

   We took the time to comparatively edit a variety of photos across all the apps in an effort to see which provided the best results up front, which provided the most editing leeway, and which got us from raw file to edited output most efficiently.

2. Design and ease of use: Though much of the core functionality is shared between apps in this category, the way tools are presented, how granular the controls are, and how customizable the interface is can all influence how you work.

   We looked for something that’s relatively easy to start with, but has room for growth as your needs and skills develop.

3. Ecosystem: A crucial aspect of an app’s appeal is the ecosystem of supporting resources that build up around it, both from the manufacturer and from third parties.

   The availability of communities, tutorials, classes, presets, etc. can not only help with the initial learning process, but also speed up workflows for more confident users.

4. Price and cost structure: Cost is a tricky subject, but in general we’re looking for products that have a clear, understandable cost structure and that feel like good value for money.

   This is very subjective territory and we recognize that there are differing schools of thought on price ranges, single-payment vs. subscription, and so on that are beyond the scope of this comparison.

Lightroom is the Best Mainstream Photo Management and Editing App for macOS

Adobe has been firing on all cylinders with Lightroom development this year, introducing an entirely new cloud-first version of the app, establishing a strong cross-platform presence, and improving core processing tools like color profiles.

Today’s Lightroom is a refined, ubiquitous environment for managing your photo library, whether you choose the re-thought cloud-based Lightroom CC, or the more familiar, professional-oriented Lightroom Classic CC.

Features in Lightroom Classic CC

Lightroom Classic CC is the evolution of the familiar Lightroom we know and love. It borrows a limited version of the cloud syncing capabilities from its younger sibling, Lightroom CC, while retaining the robust feature set it’s always had.

This includes a powerful catalog system capable of handling thousands and thousands of photos with ease, plus the tools for triaging and organizing those photos quickly. Similarly, you have thorough metadata editing controls; a deep, nesting keyword system in place to help categorize photos by content; and a map module dedicated to managing geotagging information.

When it’s time to edit your selects, Lightroom Classic CC features very capable core editing tools, from exposure, to color balance, to detail. It’s a well-chosen assortment, and most of the sliders are more intelligent than their name suggests, performing several tasks behind the scenes to achieve their intended effect. This is particularly true of combo sliders like “Dehaze,” which performs several contrast-related adjustments in a single action.

Beyond the basics, Lightroom Classic CC includes merging capabilities for processing HDR photo stacks, as well as stitching together panoramas. These are unique to Lightroom Classic CC, as most other tools require you to handle this kind of task externally.

Once you’ve edited your shot, Lightroom Classic CC offers a dedicated print module for preparing for physical output, and you can set up digital export presets in a variety of formats and fidelity settings.

Features in Lightroom CC

New to Adobe’s ecosystem is Lightroom CC, a streamlined version of the app built around cloud storage and cross-platform sync.

Compared to Lightroom Classic CC, Lightroom CC has no Print module or proofing tools, no Map module or support for geotags, no tethering support, no HDR or panorama merging, limited batch editing, limited keyword support, no smart collections (there are only “albums”), no face recognition, no file renaming, no adjustment history, JPG-only export (and only in the sRGB color space), and support for a single catalog only (you can’t create multiple catalogs like you can in Classic CC).

This sounds like a lot of missing stuff, but in exchange you get a number of important benefits:

• A unified interface and tool set across Mac, Windows, iOS, Android, and (to a more limited extent), the web and Apple TV.
• The ability to sync and edit raw files and presets across those platforms (instead of just Smart Previews like with Lightroom Classic CC) and manage storage use on each device separately.
• Leaner, faster operation.
• Access to the Adobe Sensei cloud intelligence for smart search and organization without having to manually keyword everything.

Lightroom CC retains all the core photo editing tools from its older sibling, and Adobe has been updating it at a breakneck pace to fill in the functionality gaps. Case in point, Adobe has introduced synced presets, whereby any of your custom presets within Lightroom CC will be automatically synced to Lightroom CC for iPhone, iPad, and even on the web. For many users, the inclusion of synced presets may be the kick to jump over to Lightroom CC full-time. While there is still a large gap between the capabilities of CC vs Classic CC, this gap has dramatically narrowed over time at a very fast pace.

Note:Synced presets are only available on Lightroom CC. Presets will not sync between Lightroom CC on the iPhone or iPad and Lightroom Classic CC on the Mac.

In the meantime, being able to access and edit your raw files from any device is a spectacular feature, one that genuinely transforms the way you can think about photo processing in ways that adding a new tool here and there really doesn’t.

Unlike iCloud Photo Library, Lightroom CC lets you manage storage very precisely, so you can explicitly choose which albums should be stored locally and which should remain in the cloud until you call them down. This is crucial for phones and tablets, where storage space is often at a premium. Of course, the fact that it’s cloud-based means that you’ll need a strong internet connection to take full advantage, but assuming you have that, it’s tremendous.

While it can be daunting to trust your photo library to the cloud, in my usage, the system has been flawless—no delays, no strange errors, no missing photos. Adobe clearly spent a lot of time making sure the underlying architecture is solid, and it has paid off.

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Design in Lightroom Classic CC

Lightroom Classic CC hasn’t changed its overall look and feel much over the years, which is both good and bad.

It’s good because it’s now familiar and those of us with years of muscle memory built around its interface won’t be forced to re-learn anything.

It’s also a bit of a negative point though. I remember when I first switched to Lightroom from Aperture (RIP), I was surprised by how cluttered it felt. There are a lot of sections and panels, and it can be a bit much to take in at first.

Once you do though, you begin to grasp the logic. The interface exists as a set of purpose-built “modules,” including Library for organizing and Develop for processing, and you can customize your Lightroom Classic CC experience to hide ones you don’t use (Web, in my case).

Within the Develop module, all the controls are glued to the right side of the screen and exist in a fixed order. It’s a sensible order, following the usual path from exposure corrections through color and contrast adjustments, all the way down to perspective and calibration tweaks.

If you find yourself following that processing path for every kind of image, then you’ll feel right at home. But it feels rigid compared to the way other competitors, like Capture One Pro, allow you to customize not only the order of tools, but also which side of the screen any given panel is attached to for a truly personalized workspace. The closest you can get to customizing your Lightroom Classic CC workspace is showing or hiding certain panels, and showing your name/logo in the corner of the window.

It took me quite a while to get used to the denser, fixed interface conventions in Lightroom, which is part of why I’m excited about the new Lightroom CC starting from scratch.

Design in Lightroom CC

By taking a clean slate approach with Lightroom CC, Adobe freed themselves to explore what a contemporary photo management and editing environment should look like.

Their main focus was on having it scale seamlessly across different devices and screen sizes. This seems like a strange idea until you experience the result in person; it allows you the freedom to choose your editing device based on what you prefer to work on. In many cases, especially for existing users, that will remain a traditional desktop or laptop computer.

In my case though, it means my iPad Pro, and I can make that choice knowing that I’m not giving up functionality. That’s the power of cross-platform feature parity.

In more concrete terms, the new interface is a lot less busy, and a lot less modular. The left sidebar is now dedicated to your photo library and the albums it contains, and the right side has become a home for different editing panels. All of these slide in and out of view, but you never actually leave the app’s main view. The tools change, but the context doesn’t.

Also notable is the very prominent search bar that now lives front and center at the top of the app. This search field is powered by Adobe’s cloud-based Sensei AI technology, which competes with the likes of Google and Apple Photos to intelligently recognize content and metadata from your images and present results accordingly. It works well, and because it is powered by machine learning, will continue to improve as more people use it.

By consolidating things into a single-window design, Adobe has made Lightroom CC feel cleaner, easier, and quicker than its older sibling for mainstream use.

The Lightroom/Adobe Ecosystem Advantage

Scale is a powerful ally in any comparison between apps, and Adobe’s tremendous reach and established history in the industry have given it an unfair advantage.

The number of resources — from both first and third-party vendors — is simply unmatched. If you need a tutorial, hundreds exist. If you want some presets to work with, you’ll find almost endless options. Forums, YouTube channels, and entire websites exist around this community.

Then there’s Photoshop. Users of both Lightroom Classic CC and Lightroom CC have the most seamless roundtrip workflow with the photo editing titan.

This is particularly important for professional users, who will find that any gaps in editing functionality within Lightroom are handily filled by Photoshop. In this way, some pros may find themselves preferring the streamlined experience of Lightroom CC, knowing that they can toss images out to Photoshop when they need more powerful editing capabilities.

Ultimately, while features and design can be argued back and forth, ecosystem is one area where Adobe is so far ahead of the competition that it’s basically no contest.

Lightroom Cost & Pricing

Adobe is no longer offering standalone licenses for their Creative Cloud apps, a fact that has put a lot of subscription-averse people off of using their products.

For the rest of us, Adobe has two main plans dedicated to photographers: the Lightroom CC Plan, and the Creative Cloud Photography Plan. Both plans start at $9.99USD/month, but they offer very different things.

The Lightroom CC Plan gives you access to the new Lightroom CC, as well as 1TB of cloud storage for your library. The Creative Cloud Photography Plan, on the other hand, only gives you 20GB of storage, but it includes Lightroom CC, Lightroom Classic CC, and Photoshop. You can also increase your cloud storage up to 10TB for an additional fee.

Both plans have their merits. The former is ideal for mainstream users who won’t need the editing power of Photoshop and who will be used to cloud-based photo libraries thanks to the ubiquity of iCloud Photo Library and Google Photos. They’ll get a powerful editing tool that works everywhere, and the cloud storage functions as an offsite backup of their image library too, a service you’d otherwise have to pay for separately.

The Creative Cloud Photography Plan is a good fit for advanced users and pros. It gives you the full spectrum of Adobe’s photography apps, and assumes that you’ll prefer to use local catalogs in Lightroom Classic CC, hence the stingy default cloud storage quota. It’s easy to get more storage though, so for a bit more money you can have the best of both worlds.

Runner-Up: Capture One Pro is the Best Professional Photo Management and Editing App for macOS

Despite casting a wide net with its two incarnations, Lightroom can’t possibly encompass the needs of all photographers. Luckily, this leaves room for some excellent competitors, the most impressive of which is undoubtedly Capture One Pro. Now in its 11th edition, Capture One Pro is a proven powerhouse, trusted in high-end studios all over the world.

Many of its adherents swear that it provides superior processing to Lightroom, a claim that’s difficult to test. While it’s true that the default rendering tends to be more pleasing, that only accounts for the starting point (and Adobe’s new Adobe Color profile in Lightroom closes the gap by providing a rather…familiar rendering).

In my usage, I do prefer the output I get from Capture One Pro, but that has more to do with the nature of its tools than their capability. They’re almost always more granular, more sophisticated, and more customizable, allowing for different approaches to processing. While the tools are more complex, understanding them allows me to get to a pleasing result faster than I can in Lightroom, despite having significantly more experience using Lightroom.

Color tools are vastly superior, offering a powerful wheel-based editor with precise controls for making adjustments to specific color ranges, and a dedicated skin tone module. Similarly, where Lightroom gives you a basic “Split Toning” tool, Capture One Pro provides dedicated highlight, mid-tone, and shadow color balance wheels, each of which has its own hue, saturation, and lightness adjustment control.

In the Curves tool, Capture One Pro goes beyond the RGB curve with a very useful “luma” curve that can manipulate contrast without affecting color saturation. Speaking of contrast, where Lightroom has a single “clarity” control, Capture One Pro has four clarity algorithms you can switch between, each of which behave differently. It also provides a dedicated “structure” tool for refining micro-contrast (separate from the sharpening tool). And for adding that finishing touch, you can choose between six grain algorithms instead of just one.

What’s more, all of these adjustments can be made on layers, like in Photoshop, with dedicated masking tools and opacity controls to help tailor the effect to taste.

These are just a few examples of where Capture One Pro’s tools take a step beyond what Lightroom offers. Features like annotations, sessions, tethering, Photoshop round-trip support, and more really push the envelope for professional usage.

In terms of workflow and capabilities, the biggest advantage is in Capture One Pro’s flexibility. The interface is deeply adaptable, allowing you to add or remove tools from the sidebar, detach any tool and resize it for more precise control, re-order tools, even move the location of the sidebars entirely to create dedicated layouts, called Workspaces, that you can save and recall with a keyboard shortcut.

Compared to Lightroom, the main features that are missing are the same degree of cross-platform support, cloud sync, and a few specialized features like HDR/panorama merging, or an equivalent to things like Survey view for culling shots.

And all of its power comes at the expense of intuitiveness. Capture One Pro is more daunting to start with than either version of Lightroom. Also, while it’s been around for years and has a large user base, it still has nowhere near the ecosystem richness that Lightroom has, with relatively few third-party preset (or “style” in Capture One parlance) packs. Credit where credit is due though: Capture One Pro has an extremely active YouTube channel that’s constantly putting out excellent tutorials and hosting webinars to help people get started.

Capture One Pro’s flexibility extends to pricing as well. You can choose to purchase a perpetual license for $299USD, which gets you all updates until the next major version. Or, you can get a subscription license for as low as $20USD/month (annual subscription with monthly billing). Pre-paying for the year saves you 25%, for a total of $180/year.

Capture One Pro is unashamedly focused on professional users, but the growing library of tutorials make it a great choice for ambitious beginners as well. Still, it’s very much an “old-school” sort of app, built around the idea of bringing home your photos, importing them into a computer, and editing them on that machine only.

Other Contenders

While Capture One Pro’s track record, polish, and processing quality cement it as our runner-up, there are a number of other extremely promising competitors that deserve a mention.

Apple Photos

While we’re fans of iCloud Photo Library as a general photo management solution, people who are looking to take their photography seriously may run into the limitations of Apple’s service.

For one thing, handling of raw files is rudimentary and inconsistent across platforms. File management in general is a lot less refined, with almost no export options, and only two choices for file storage: keep a local copy of everything, or trust Apple to manage local/cloud storage distribution for you (“Optimize Storage”). The unpredictability of the latter makes for an untrustworthy system when you need to be sure that a certain album is available when you need it, even offline.

That being said, organization is good: Apple Photos includes the ability to create smart albums, and handles face and location data, along with keywords. Search is also very good, competing favourably with Google Photos and Adobe’s Sensei.

If you work primarily with JPG files, Apple Photos makes for a simple, seamless pick that’s built right into your Mac and offers affordable storage tiers for more storage.

DxO PhotoLab

The second is DxO PhotoLab, the successor to DxO Optics Pro.

In many ways, DxO’s processing is a bit ahead of the curve. It had a tool called ClearView long before Lightroom introduced Dehaze. It had Smart Lighting before Capture One Pro added a Brightness slider. And, of course, its PRIME noise reduction algorithm is legendary, capable of cleaning up images that I would have thought unsalvageable in other editors.

Thanks to its parent company’s extensive research and review of imaging technology, PhotoLab also has sophisticated camera/lens combo correction profiles to optimize sharpness, distortion, and aberration more precisely than any other app.

Setting aside its uncertain future, PhotoLab falls short on a few fronts. Firstly, its interface is cramped, and many of its best tools are hidden in the clutter. For instance, PhotoLab has a secret weapon that I love: the ability to impart a color rendering from classic cameras. I often use this to apply a beautiful classic Canon color tonality from the 1Ds Mark III to my Olympus photos for a pleasing starting point.

Unfortunately, the tools for organizing and culling photos are rudimentary, exports are slow, and PhotoLab doesn’t support Fujifilm cameras at all, which cuts a lot of photographers out of the picture.

Still, it’s a capable, affordable choice that starts at $129USD for the Essentials version, though you should probably spring for the $199USD Elite edition for access to the best tools.

ON1 Photo Raw 2018

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One of the newest options in this space is ON1 Photo Raw 2018.

Photo Raw is an amalgamation of several formerly-separate apps or algorithms that come together to form an extremely feature-rich choice.

It has a dedicated skin retouching module similar to Capture One Pro, it features native HDR and panorama merging like Lightroom, and comes complete with a comprehensive and intuitive set of image editing tools.

Certain tools, including the marvellous Dynamic Contrast, are separated into an Effects tab rather than the normal edit area. I would prefer they all live in the same area, personally, but it’s not a big deal.

One area that does deserve its own module is the Resize tab, which provides amazing resizing results tailored to your intended output, with presets for print and screen. The algorithm running under the hood is the famous Genuine Fractals one, known for producing very detailed, natural looking enlargements even when pushed to extremes.

ON1 Photo Raw 2018 is a very close contender for the top spot, but its relative youth as a product has some consequences, like the quality of the image having changed noticeably even since launch. Improvement is great, of course, but it’s hard to build workflows around a tool that’s still growing.

Still, this is one scenario where taking a chance on a newcomer can be a great idea, and the price of entry is a reasonable $120USD for a perpetual license, or $130USD/year for a perpetual license along with free upgrades to the next version and a bevy of extra content and monthly loyalty rewards.

Darktable

It wouldn’t be fair to discuss this category of apps without considering the open source options.

Darktable is very much an open source version of Lightroom. It shares a similar interface paradigm, similar features, and of course has the tremendous advantage of being completely free. In some areas, particularly the degree of control over masks, Darktable is superior to all the others.

Unfortunately, as is often the case with open source software, there’s an off-putting lack of interface polish, user experience sensitivity, and accessibility to new users. The app’s many editing tools are often cryptically named, and the interface is decidedly non-native feeling, to the point where it might leave you disoriented unless you have some familiarity with Linux software (Darktable is available on macOS, Windows, and many Linux distributions, but is clearly built for the latter).

If you’re willing to read the manual and the idea of getting powerful editing and organization tools for free appeals to you, then Darktable is a very capable option.

RawTherapee

The last contender is probably the most powerful image editing suite available. It is also the least accessible.

If Darktable is the open source version of Lightroom, then RawTherapee is like an open source version of Capture One Pro designed by a syndicate of alien engineers who are aware of human beings only as the inconvenient creatures that report bugs and otherwise interrupt their pursuit of the über editor.

Using RawTherapee is an exercise in humility. Its dense, terrifying interface is home to a labyrinthine array of tools that bear only a passing resemblance to their relatives in other apps. Wherever Lightroom hides five obscure, inscrutable parameters from you by consolidating them into a single slider marked “Contrast,” RawTherapee will reveal all those hidden parameters and invite you to manipulate them.

Have you ever heard of the l*a*b color space? Do you know what wavelet editing is? Have you been clamoring for 13 different choices of algorithm for raw file demosaicing? If so, RawTherapee is the editor for you!

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Conclusion

With such a low barrier to entry (thanks to the smartphone revolution), it’s no longer just dedicated hobbyists and professionals looking to manage and edit photographs. Everyone can benefit from a good system for organizing, processing, and sharing their shots.

Adobe’s developing Lightroom ecosystem is the ideal choice for most people because it caters to a broad range of needs, from beginner to professional, and does so with the support of a huge community of users, experts, and developers.

While it’s true that other options sometimes exceed Lightroom’s capabilities, they tend to do so in specialized ways that don’t impact a normal workflow.

Beyond the details of functionality, though, the main appeal of Lightroom is its forward-thinking, device-agnostic approach to managing photos. It feels decidedly modern, and while it makes ambitious promises, Adobe is certainly well-positioned to deliver on them.

If you’re in the market for an all-in-one approach to organizing and editing your photos, Lightroom should be your first stop.