It’s no longer enough for a photo editing application to be great at what it does in isolation. Modern computing is defined by connected workflows. The ability to pass tasks seamlessly between devices, between contexts, and between coworkers is increasingly important.
As far as Mac photo editing software goes, you should be able to find a basic editing program for under $100, typically starting for as little as $30. Paying more than $100 will often land you a professional editing program with additional editing tools and presets compared to the basic versions. There are countless photo editors that you can download on your MacBook Pro. These are just some of the best ones in their particular departments. Before choosing any photo editor for your MacBook, make sure you know exactly what you are looking for and what the program you are considering offers.
That’s why, despite some potent new competitors, Adobe Lightroom remains our pick for the best photo editing and management application for mainstream users. Lightroom provides a strong editing and photo library management environment, but it also builds a powerful ecosystem of apps, learning resources, and community around those tools.
It’s a joint pick, in fact, because Lightroom now exists as two distinct versions: the cloud-first Lightroom CC, and the familiar, more powerful Lightroom Classic CC. Both have their merits, and we’ll discuss what kind of user each is best suited for.
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How We Chose
It’s important to note that this comparison is specific to photo editors that also provide Digital Asset Management (DAM) features.
This all-in-one approach is appealing not only because it provides an integrated workflow, but because it allows you to manage your photo files with more organizational control than a simple file structure would. We’re interested in tools that are designed to take you from initial import and culling all the way to final polish and export.
As a result, while standalone editors like Adobe Photoshop, Affinity Photo, Pixelmator Pro, Skylum Luminar, etc. are fantastic at what they do, they are beyond the scope of this piece.
Main Criteria
That first restriction narrowed our field of contenders significantly, and from there we considered the remaining apps according to the following characteristics:
Features and processing quality: It’s all too common to see photo editors judged based on their initial rendering of a file rather than the potential results after processing. While initial rendering can be a useful data point, it doesn’t say enough about the quality of the processing engine.
We took the time to comparatively edit a variety of photos across all the apps in an effort to see which provided the best results up front, which provided the most editing leeway, and which got us from raw file to edited output most efficiently.
Design and ease of use: Though much of the core functionality is shared between apps in this category, the way tools are presented, how granular the controls are, and how customizable the interface is can all influence how you work.
We looked for something that’s relatively easy to start with, but has room for growth as your needs and skills develop.
Ecosystem: A crucial aspect of an app’s appeal is the ecosystem of supporting resources that build up around it, both from the manufacturer and from third parties.
The availability of communities, tutorials, classes, presets, etc. can not only help with the initial learning process, but also speed up workflows for more confident users.
Price and cost structure: Cost is a tricky subject, but in general we’re looking for products that have a clear, understandable cost structure and that feel like good value for money.
This is very subjective territory and we recognize that there are differing schools of thought on price ranges, single-payment vs. subscription, and so on that are beyond the scope of this comparison.
Lightroom is the Best Mainstream Photo Management and Editing App for macOS
Adobe has been firing on all cylinders with Lightroom development this year, introducing an entirely new cloud-first version of the app, establishing a strong cross-platform presence, and improving core processing tools like color profiles.
Today’s Lightroom is a refined, ubiquitous environment for managing your photo library, whether you choose the re-thought cloud-based Lightroom CC, or the more familiar, professional-oriented Lightroom Classic CC.
Features in Lightroom Classic CC
Lightroom Classic CC is the evolution of the familiar Lightroom we know and love. It borrows a limited version of the cloud syncing capabilities from its younger sibling, Lightroom CC, while retaining the robust feature set it’s always had.
This includes a powerful catalog system capable of handling thousands and thousands of photos with ease, plus the tools for triaging and organizing those photos quickly. Similarly, you have thorough metadata editing controls; a deep, nesting keyword system in place to help categorize photos by content; and a map module dedicated to managing geotagging information.
When it’s time to edit your selects, Lightroom Classic CC features very capable core editing tools, from exposure, to color balance, to detail. It’s a well-chosen assortment, and most of the sliders are more intelligent than their name suggests, performing several tasks behind the scenes to achieve their intended effect. This is particularly true of combo sliders like “Dehaze,” which performs several contrast-related adjustments in a single action.
Beyond the basics, Lightroom Classic CC includes merging capabilities for processing HDR photo stacks, as well as stitching together panoramas. These are unique to Lightroom Classic CC, as most other tools require you to handle this kind of task externally.
Once you’ve edited your shot, Lightroom Classic CC offers a dedicated print module for preparing for physical output, and you can set up digital export presets in a variety of formats and fidelity settings.
Features in Lightroom CC
New to Adobe’s ecosystem is Lightroom CC, a streamlined version of the app built around cloud storage and cross-platform sync.
Compared to Lightroom Classic CC, Lightroom CC has no Print module or proofing tools, no Map module or support for geotags, no tethering support, no HDR or panorama merging, limited batch editing, limited keyword support, no smart collections (there are only “albums”), no face recognition, no file renaming, no adjustment history, JPG-only export (and only in the sRGB color space), and support for a single catalog only (you can’t create multiple catalogs like you can in Classic CC).
This sounds like a lot of missing stuff, but in exchange you get a number of important benefits:
- A unified interface and tool set across Mac, Windows, iOS, Android, and (to a more limited extent), the web and Apple TV.
- The ability to sync and edit raw files and presets across those platforms (instead of just Smart Previews like with Lightroom Classic CC) and manage storage use on each device separately.
- Leaner, faster operation.
- Access to the Adobe Sensei cloud intelligence for smart search and organization without having to manually keyword everything.
Lightroom CC retains all the core photo editing tools from its older sibling, and Adobe has been updating it at a breakneck pace to fill in the functionality gaps. Case in point, Adobe has introduced synced presets, whereby any of your custom presets within Lightroom CC will be automatically synced to Lightroom CC for iPhone, iPad, and even on the web. For many users, the inclusion of synced presets may be the kick to jump over to Lightroom CC full-time. While there is still a large gap between the capabilities of CC vs Classic CC, this gap has dramatically narrowed over time at a very fast pace.
Note:Synced presets are only available on Lightroom CC. Presets will not sync between Lightroom CC on the iPhone or iPad and Lightroom Classic CC on the Mac.
In the meantime, being able to access and edit your raw files from any device is a spectacular feature, one that genuinely transforms the way you can think about photo processing in ways that adding a new tool here and there really doesn’t.
Unlike iCloud Photo Library, Lightroom CC lets you manage storage very precisely, so you can explicitly choose which albums should be stored locally and which should remain in the cloud until you call them down. This is crucial for phones and tablets, where storage space is often at a premium. Of course, the fact that it’s cloud-based means that you’ll need a strong internet connection to take full advantage, but assuming you have that, it’s tremendous.
While it can be daunting to trust your photo library to the cloud, in my usage, the system has been flawless—no delays, no strange errors, no missing photos. Adobe clearly spent a lot of time making sure the underlying architecture is solid, and it has paid off.
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Design in Lightroom Classic CC
Lightroom Classic CC hasn’t changed its overall look and feel much over the years, which is both good and bad.
It’s good because it’s now familiar and those of us with years of muscle memory built around its interface won’t be forced to re-learn anything.
It’s also a bit of a negative point though. I remember when I first switched to Lightroom from Aperture (RIP), I was surprised by how cluttered it felt. There are a lot of sections and panels, and it can be a bit much to take in at first.
Once you do though, you begin to grasp the logic. The interface exists as a set of purpose-built “modules,” including Library for organizing and Develop for processing, and you can customize your Lightroom Classic CC experience to hide ones you don’t use (Web, in my case).
Within the Develop module, all the controls are glued to the right side of the screen and exist in a fixed order. It’s a sensible order, following the usual path from exposure corrections through color and contrast adjustments, all the way down to perspective and calibration tweaks.
If you find yourself following that processing path for every kind of image, then you’ll feel right at home. But it feels rigid compared to the way other competitors, like Capture One Pro, allow you to customize not only the order of tools, but also which side of the screen any given panel is attached to for a truly personalized workspace. The closest you can get to customizing your Lightroom Classic CC workspace is showing or hiding certain panels, and showing your name/logo in the corner of the window.
It took me quite a while to get used to the denser, fixed interface conventions in Lightroom, which is part of why I’m excited about the new Lightroom CC starting from scratch.
Design in Lightroom CC
By taking a clean slate approach with Lightroom CC, Adobe freed themselves to explore what a contemporary photo management and editing environment should look like.
Their main focus was on having it scale seamlessly across different devices and screen sizes. This seems like a strange idea until you experience the result in person; it allows you the freedom to choose your editing device based on what you prefer to work on. In many cases, especially for existing users, that will remain a traditional desktop or laptop computer.
In my case though, it means my iPad Pro, and I can make that choice knowing that I’m not giving up functionality. That’s the power of cross-platform feature parity.
In more concrete terms, the new interface is a lot less busy, and a lot less modular. The left sidebar is now dedicated to your photo library and the albums it contains, and the right side has become a home for different editing panels. All of these slide in and out of view, but you never actually leave the app’s main view. The tools change, but the context doesn’t.
Also notable is the very prominent search bar that now lives front and center at the top of the app. This search field is powered by Adobe’s cloud-based Sensei AI technology, which competes with the likes of Google and Apple Photos to intelligently recognize content and metadata from your images and present results accordingly. It works well, and because it is powered by machine learning, will continue to improve as more people use it.
By consolidating things into a single-window design, Adobe has made Lightroom CC feel cleaner, easier, and quicker than its older sibling for mainstream use.
The Lightroom/Adobe Ecosystem Advantage
Scale is a powerful ally in any comparison between apps, and Adobe’s tremendous reach and established history in the industry have given it an unfair advantage.
The number of resources — from both first and third-party vendors — is simply unmatched. If you need a tutorial, hundreds exist. If you want some presets to work with, you’ll find almost endless options. Forums, YouTube channels, and entire websites exist around this community.
Then there’s Photoshop. Users of both Lightroom Classic CC and Lightroom CC have the most seamless roundtrip workflow with the photo editing titan.
This is particularly important for professional users, who will find that any gaps in editing functionality within Lightroom are handily filled by Photoshop. In this way, some pros may find themselves preferring the streamlined experience of Lightroom CC, knowing that they can toss images out to Photoshop when they need more powerful editing capabilities.
Ultimately, while features and design can be argued back and forth, ecosystem is one area where Adobe is so far ahead of the competition that it’s basically no contest.
Lightroom Cost & Pricing
Adobe is no longer offering standalone licenses for their Creative Cloud apps, a fact that has put a lot of subscription-averse people off of using their products.
For the rest of us, Adobe has two main plans dedicated to photographers: the Lightroom CC Plan, and the Creative Cloud Photography Plan. Both plans start at $9.99USD/month, but they offer very different things.
The Lightroom CC Plan gives you access to the new Lightroom CC, as well as 1TB of cloud storage for your library. The Creative Cloud Photography Plan, on the other hand, only gives you 20GB of storage, but it includes Lightroom CC, Lightroom Classic CC, and Photoshop. You can also increase your cloud storage up to 10TB for an additional fee.
Both plans have their merits. The former is ideal for mainstream users who won’t need the editing power of Photoshop and who will be used to cloud-based photo libraries thanks to the ubiquity of iCloud Photo Library and Google Photos. They’ll get a powerful editing tool that works everywhere, and the cloud storage functions as an offsite backup of their image library too, a service you’d otherwise have to pay for separately.
The Creative Cloud Photography Plan is a good fit for advanced users and pros. It gives you the full spectrum of Adobe’s photography apps, and assumes that you’ll prefer to use local catalogs in Lightroom Classic CC, hence the stingy default cloud storage quota. It’s easy to get more storage though, so for a bit more money you can have the best of both worlds.
Runner-Up: Capture One Pro is the Best Professional Photo Management and Editing App for macOS
Despite casting a wide net with its two incarnations, Lightroom can’t possibly encompass the needs of all photographers. Luckily, this leaves room for some excellent competitors, the most impressive of which is undoubtedly Capture One Pro. Now in its 11th edition, Capture One Pro is a proven powerhouse, trusted in high-end studios all over the world.
Many of its adherents swear that it provides superior processing to Lightroom, a claim that’s difficult to test. While it’s true that the default rendering tends to be more pleasing, that only accounts for the starting point (and Adobe’s new Adobe Color profile in Lightroom closes the gap by providing a rather…familiar rendering).
In my usage, I do prefer the output I get from Capture One Pro, but that has more to do with the nature of its tools than their capability. They’re almost always more granular, more sophisticated, and more customizable, allowing for different approaches to processing. While the tools are more complex, understanding them allows me to get to a pleasing result faster than I can in Lightroom, despite having significantly more experience using Lightroom.
Color tools are vastly superior, offering a powerful wheel-based editor with precise controls for making adjustments to specific color ranges, and a dedicated skin tone module. Similarly, where Lightroom gives you a basic “Split Toning” tool, Capture One Pro provides dedicated highlight, mid-tone, and shadow color balance wheels, each of which has its own hue, saturation, and lightness adjustment control.
In the Curves tool, Capture One Pro goes beyond the RGB curve with a very useful “luma” curve that can manipulate contrast without affecting color saturation. Speaking of contrast, where Lightroom has a single “clarity” control, Capture One Pro has four clarity algorithms you can switch between, each of which behave differently. It also provides a dedicated “structure” tool for refining micro-contrast (separate from the sharpening tool). And for adding that finishing touch, you can choose between six grain algorithms instead of just one.
What’s more, all of these adjustments can be made on layers, like in Photoshop, with dedicated masking tools and opacity controls to help tailor the effect to taste.
These are just a few examples of where Capture One Pro’s tools take a step beyond what Lightroom offers. Features like annotations, sessions, tethering, Photoshop round-trip support, and more really push the envelope for professional usage.
In terms of workflow and capabilities, the biggest advantage is in Capture One Pro’s flexibility. The interface is deeply adaptable, allowing you to add or remove tools from the sidebar, detach any tool and resize it for more precise control, re-order tools, even move the location of the sidebars entirely to create dedicated layouts, called Workspaces, that you can save and recall with a keyboard shortcut.
Compared to Lightroom, the main features that are missing are the same degree of cross-platform support, cloud sync, and a few specialized features like HDR/panorama merging, or an equivalent to things like Survey view for culling shots.
And all of its power comes at the expense of intuitiveness. Capture One Pro is more daunting to start with than either version of Lightroom. Also, while it’s been around for years and has a large user base, it still has nowhere near the ecosystem richness that Lightroom has, with relatively few third-party preset (or “style” in Capture One parlance) packs. Credit where credit is due though: Capture One Pro has an extremely active YouTube channel that’s constantly putting out excellent tutorials and hosting webinars to help people get started.
Capture One Pro’s flexibility extends to pricing as well. You can choose to purchase a perpetual license for $299USD, which gets you all updates until the next major version. Or, you can get a subscription license for as low as $20USD/month (annual subscription with monthly billing). Pre-paying for the year saves you 25%, for a total of $180/year.
Capture One Pro is unashamedly focused on professional users, but the growing library of tutorials make it a great choice for ambitious beginners as well. Still, it’s very much an “old-school” sort of app, built around the idea of bringing home your photos, importing them into a computer, and editing them on that machine only.
Other Contenders
While Capture One Pro’s track record, polish, and processing quality cement it as our runner-up, there are a number of other extremely promising competitors that deserve a mention.
Apple Photos
While we’re fans of iCloud Photo Library as a general photo management solution, people who are looking to take their photography seriously may run into the limitations of Apple’s service.
For one thing, handling of raw files is rudimentary and inconsistent across platforms. File management in general is a lot less refined, with almost no export options, and only two choices for file storage: keep a local copy of everything, or trust Apple to manage local/cloud storage distribution for you (“Optimize Storage”). The unpredictability of the latter makes for an untrustworthy system when you need to be sure that a certain album is available when you need it, even offline.
That being said, organization is good: Apple Photos includes the ability to create smart albums, and handles face and location data, along with keywords. Search is also very good, competing favourably with Google Photos and Adobe’s Sensei.
If you work primarily with JPG files, Apple Photos makes for a simple, seamless pick that’s built right into your Mac and offers affordable storage tiers for more storage.
DxO PhotoLab
The second is DxO PhotoLab, the successor to DxO Optics Pro.
In many ways, DxO’s processing is a bit ahead of the curve. It had a tool called ClearView long before Lightroom introduced Dehaze. It had Smart Lighting before Capture One Pro added a Brightness slider. And, of course, its PRIME noise reduction algorithm is legendary, capable of cleaning up images that I would have thought unsalvageable in other editors.
Thanks to its parent company’s extensive research and review of imaging technology, PhotoLab also has sophisticated camera/lens combo correction profiles to optimize sharpness, distortion, and aberration more precisely than any other app.
Setting aside its uncertain future, PhotoLab falls short on a few fronts. Firstly, its interface is cramped, and many of its best tools are hidden in the clutter. For instance, PhotoLab has a secret weapon that I love: the ability to impart a color rendering from classic cameras. I often use this to apply a beautiful classic Canon color tonality from the 1Ds Mark III to my Olympus photos for a pleasing starting point.
Unfortunately, the tools for organizing and culling photos are rudimentary, exports are slow, and PhotoLab doesn’t support Fujifilm cameras at all, which cuts a lot of photographers out of the picture.
Still, it’s a capable, affordable choice that starts at $129USD for the Essentials version, though you should probably spring for the $199USD Elite edition for access to the best tools.
ON1 Photo Raw 2018
One of the newest options in this space is ON1 Photo Raw 2018.
Photo Raw is an amalgamation of several formerly-separate apps or algorithms that come together to form an extremely feature-rich choice.
It has a dedicated skin retouching module similar to Capture One Pro, it features native HDR and panorama merging like Lightroom, and comes complete with a comprehensive and intuitive set of image editing tools.
Certain tools, including the marvellous Dynamic Contrast, are separated into an Effects tab rather than the normal edit area. I would prefer they all live in the same area, personally, but it’s not a big deal.
One area that does deserve its own module is the Resize tab, which provides amazing resizing results tailored to your intended output, with presets for print and screen. The algorithm running under the hood is the famous Genuine Fractals one, known for producing very detailed, natural looking enlargements even when pushed to extremes.
ON1 Photo Raw 2018 is a very close contender for the top spot, but its relative youth as a product has some consequences, like the quality of the image having changed noticeably even since launch. Improvement is great, of course, but it’s hard to build workflows around a tool that’s still growing.
Still, this is one scenario where taking a chance on a newcomer can be a great idea, and the price of entry is a reasonable $120USD for a perpetual license, or $130USD/year for a perpetual license along with free upgrades to the next version and a bevy of extra content and monthly loyalty rewards.
Darktable
It wouldn’t be fair to discuss this category of apps without considering the open source options.
Darktable is very much an open source version of Lightroom. It shares a similar interface paradigm, similar features, and of course has the tremendous advantage of being completely free. In some areas, particularly the degree of control over masks, Darktable is superior to all the others.
Unfortunately, as is often the case with open source software, there’s an off-putting lack of interface polish, user experience sensitivity, and accessibility to new users. The app’s many editing tools are often cryptically named, and the interface is decidedly non-native feeling, to the point where it might leave you disoriented unless you have some familiarity with Linux software (Darktable is available on macOS, Windows, and many Linux distributions, but is clearly built for the latter).
If you’re willing to read the manual and the idea of getting powerful editing and organization tools for free appeals to you, then Darktable is a very capable option.
RawTherapee
The last contender is probably the most powerful image editing suite available. It is also the least accessible.
If Darktable is the open source version of Lightroom, then RawTherapee is like an open source version of Capture One Pro designed by a syndicate of alien engineers who are aware of human beings only as the inconvenient creatures that report bugs and otherwise interrupt their pursuit of the über editor.
Using RawTherapee is an exercise in humility. Its dense, terrifying interface is home to a labyrinthine array of tools that bear only a passing resemblance to their relatives in other apps. Wherever Lightroom hides five obscure, inscrutable parameters from you by consolidating them into a single slider marked “Contrast,” RawTherapee will reveal all those hidden parameters and invite you to manipulate them.
Have you ever heard of the l*a*b color space? Do you know what wavelet editing is? Have you been clamoring for 13 different choices of algorithm for raw file demosaicing? If so, RawTherapee is the editor for you!
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Conclusion
Best Mac Photo Editor Software
With such a low barrier to entry (thanks to the smartphone revolution), it’s no longer just dedicated hobbyists and professionals looking to manage and edit photographs. Everyone can benefit from a good system for organizing, processing, and sharing their shots.
Adobe’s developing Lightroom ecosystem is the ideal choice for most people because it caters to a broad range of needs, from beginner to professional, and does so with the support of a huge community of users, experts, and developers.
While it’s true that other options sometimes exceed Lightroom’s capabilities, they tend to do so in specialized ways that don’t impact a normal workflow.
Beyond the details of functionality, though, the main appeal of Lightroom is its forward-thinking, device-agnostic approach to managing photos. It feels decidedly modern, and while it makes ambitious promises, Adobe is certainly well-positioned to deliver on them.
If you’re in the market for an all-in-one approach to organizing and editing your photos, Lightroom should be your first stop.
There is a plenty of image editing softwares for MacOS, but it`s really challenging to pick up truly the best photo editing app for Mac. In this article we selected 10 best photo editing apps, some of them are paid, some photo editing apps are free, but each and every one will let you edit your images successfully and easy.
Contents:
At first glance, it may be difficult to find the best free photo editor for a phone or Mac of the same level as those apps developed by Adobe Co. But there is a plenty of photo editing Mac apps and you have to browse a little and pick up what`s best for you. Take your time reading this article about Top 10 best photo editing apps for Mac.
1. DxO OpticsPro for Photos
Official website: DxO
Alternatives: Fotor, PhotoScape, Lightroom Classic
- A simple user-friendly interface
- Lens correction with a huge base of cameras + lenses combinations
- Good photo retouching features
- Deep color correction
- No advertising
- Dark dots and lines on contrasting borders may appear
A family of DxO products aimed at images editing. The main feature of this application is that it has a huge database of “camera - lens” combinations, named “profile” by the developer. Currently, the number of these profiles already exceeds 40,000, and this data supports the program to accomplish what others cannot. DxO OpticsPro for Photos is a basic powerful photo editor with the considered Lightroom-like interface, but as for me, it looks more like Adobe Premiere.
In addition to all the standard tools for basic image editing, I like the Lens Sharpness correction module, it replaces the previous filter version used by DxO and called Lens Softness. Based on the knowledge of the subject area, this feature allows overcoming the “softness” of the lens and adding micro contrast to the objects in the image. Particularly evidently, the filter works for noisy photos shot at high ISO, although it brings positive effect to mostly clear photos as well.
Another interesting tool is Repair: the same “magic eraser” that allows you to remove wires from your pictures, unwanted people, dirt and many other wasteful things. Retaining the old simplicity, the new Repair demonstrates the markedly improved algorithms of photo retouching, allowing no trace of “withdrawn” larger objects.
In fact, the tools that I have never seen before, and which is very handy for quick fixes in the editing are here, quite a lot. Should be mentioned, when it comes to speed, the DxO Photo Lab - is the fastest app for editing photos on your phone. The process of working with the program can be minimized: immediately after selecting photos “Photo Lab” loads the appropriate profile and implements the default settings, and here is the thing you should praise this application for – they are composed very reasonable, and their action resembles a button to “magic”. Overwhelmingly, you can even leave all other features untouched, you just need to select the photos that you want to improve, and click on the “magic” button.
2. Photoshop Elements
Official website: Photoshop Elements
Alternatives: Lightroom CC, GIMP, Paint.NET
- The ability to retouch with the same performance as in Photoshop
- Easy to learn
- Supports almost all known RAW formats
- Plenty of tutorials
- Some photo editing aspects are unclear
- Same old interface
Adobe Photoshop Elements is an Adobe Photoshop portfolio program that was designed for photo editing and holds its position among the best apps for mac photo editing tightly. If you are not going to seriously turn your hobby for photographing into a professional activity, then there is no point in studying all the options Photoshop offers. (view more about how to get Lightroom for free or download Photoshop free). The Adobe Photoshop Elements interface is significantly different from the “original” one. It is simpler in some features, but this does not make it too easy to understand. Thanks to the brand-new features, the new frames and new bookmarks it takes time to get familiar with these complex functions, but it is still simpler than Photoshop. The absence of some functions from the original does not mean you cannot process the photo with the same high performance.
Large colorful tool icons with clear and understandable, comprehensive text and graphics tips help both beginners and experienced users. The workspace is organized the same way as most Adobe products but is focused on the “home” user — that is, full of smart tips and controls. Same to other Adobe products, you can customize everything up to your taste, combining toolbars and panels in a way most convenient for you. Adobe Photoshop Elements contains all the most popular and necessary tools, such as intelligent selection of areas, scaling and cropping images, correction adjusted to the background image, restoration of damaged parts, and so on. Plus, complemented by special automatic tools that are only available within Photoshop Elements and not in the main version of Adobe Photoshop.
3. Pixelmator Pro
Official website: Pixelmator
Alternatives: Polarr, PhotoScape, Ribbet
- Quick pick and recovery tools
- The Apple Core ML toolkit improves photo editing learning
- Very flexible features for working with RAW photos
- A dark interface with monochrome elements is occasionally inconvenient
- Not all features are flexible in usage
- The limited ability of data export from other apps
The original version of Pixelmator is, perhaps, one of the brightest success of third-party developers for the macOS. To succeed by releasing a photo editor, when Adobe itself is the main competitor offering the app for a single platform?
Setting Photoshop, it throes user into the extreme number of tool panels, Pixelmator Pro`s interface is neat and understood. It is simple enough to be user-friendly and even primitive, which provides the excellent user experience. An amazing feature that Pixelmator Pro offers is the naming of layers imported from external files by their content. This is provided by the means of neural network. Similar technology is involved with selection tools, allowing you to more accurately find the boundaries of objects, erase, offering improved performance when removing unnecessary parts of the image.
Pixelmator Pro uses all the latest advantages of Apple native computer hardware and software environment and therefore requires the latest macOS version. It is thanks to deep integration with Apple's graphics API that allows Pixelmator Pro to manage amazing real-time tricks, for example, highlighting areas that will be selected using “smart selection”. The same smooth and natural effects accompany the user through the entire interface: moving and distributing objects into layers, drawing with brushes, applying effects - everything happens right before our eyes, with high sensitivity, and at high FPS rates. Some tools (color correction, layer styles and effects) now have “recipes” – they are profiles of preset or saved settings.
Pixelmator is perfectly integrated into macOS: file versions, a full-screen mode and split-screen mode, export and import options, TouchBar support – all this is done at a level appropriate satisfy even the most naughty Mac users.
4. Affinity Photo
Official website: Affinity Photo
Alternatives: Lightroom CC, Photoshop Express, Pixelmator
- The program is easy to use
- Requires a little space at your hard disk
- The announced fee of $50 is quite affordable
- Functionality is sufficient enough to replace Photoshop
- No replacement of “actions” for the recording of repetitive actions
- Rough reaction to the sliders
As Photoshop keeps leading positions among the best photo editing apps for Mac desktop, Affinity Photo is its worthy competitor. The software is offered for one time $50 payment with no subscriptions or any other stuff required. The first start can be confusing as it resembles Photoshop interface a lot. It has almost the same style and design, but further examinations uncover a lot of unique peculiarities.
The most outstanding among them is segregation of editorial process into stages like in Lightroom. There are five of them: Photo, Develop, Liquify, Tone Mapping and Export. The Photo section contains basic photo editing elements and anyone will hardly be surprised by it. Layers, masks and image correction tools: starting from exposure up to manipulations with colors on the HSL-panel. The Develop section is handy for the RAW files processing. It resembles Adobe Camera Raw a lot.
Liquify adapted to correcting and imposition of distortions, Tone Mapping activates HDR effects for image processing. Another Affinity Photo feature is the smart Assistant. With it, you can “program” the app to react to actions. Affinity Photo is still a “young” application that regularly receives complex updates.. The two-week trial is offered by the developer, so try it now, you might even forget about Adobe Photoshop Express after it!
5. PhotoScape X
Official website: PhotoScape
Developer: MOOII Tech
Alternatives: Fotor, Photoshop Elements
- Perfect optimization for Mac
- Totally free
- Supports many most known RAW formats
- Quality loss after saving
- Minor bugs
This is probably the most Photoshop-like application for the Mac, which can be downloaded from the App Store and is considered to be one of the best free Mac apps for photo editing. PhotoScape has almost everything you might need to view, optimize, edit, print or just having some fun with photos. The main panel of the application offers all the necessary tools: images views, optimization of failed shots, printing of multiple photos on one page as a collage, or adding filters.
The application supports a variety of formats, including RAW too. This app carries so many features, many consider it as a complete and free alternative to Photoshop. Of course, the level of Photoshop is undeniably higher, but this software is really an excellent alternative to the front-runner like Adobe and turns editing photos into a very exciting experience. PhotoScape had an older version, but then it did not have such great features, and the interface was more old-fashioned, but PhotoScape X brought it closer to the level of perfection. The way this application inherits the modern minimalistic style of Adobe in dark colors is particularly noticeable, and this makes PhotoScape X rock.
6. CameraBag Photo
Official website: CameraBag Photo
Alternatives: Affinity Photo, Pixelmator, Fotor
- A great number of presets
- Quick and easy photo editing
- Support of RAW
- It lacks most of the key tools
- Lack of color space analysis
- The need to download codecs for Windows
CameraBag Photo is a tool for editing photos without unnecessary functions, offering the user about 200 pre-installed filters and the ability to customize any filter to your taste. The interface is simple and intuitive to use. On the right side, you’ll find a complete set of filters and common customization tools. This makes it much easier to choose a preset but does not make it easy to use it. The bottom panel displays customizable settings to make color correction of your photos. The thing I personally find useful in CameraBag Photo is the preview of the image folder for applying of a specific preset or tool, for example, B&W converting. I can easily see which of the photos in this folder looks better with this preset. From the user's point of view, CameraBag Photo does not resemble Adobe product at all.
When we talk about the bad things in CameraBag Photo, it lacks the tool to reduce noise. So you should avoid it in case you do specialize in freeze light. There is also no perspective correction or tools that can replace it. CameraBag Photo has serious limitations: lack of evaluation of color space. In addition, unlike working on a Mac, for Windows, you must have the appropriate “codec” preinstalled to convert RAW. Codecs for many old cameras come with Windows, but for the latest cameras, you may have to buy a codec.
7. Luminar
Official website: Luminar
Alternatives: Photoshop Express, Fotor, PhotoScape
- Layers and masks editing almost at the level with Photoshop
- Supports blend modes
- Many filters and presets
- The alignment tool for verticals in Lightroom is more convenient
- Lacks a Warp tool
- No copyright adding to the photo
Luminar 2018 offers most of the features that a modern amateur photographer needs for photo editing. It has new filters, increased application speed and a dedicated RAW processing module. Luminar adapts for a handier workflow by means of adaptive toolbars and feature sections.
Luminar 2018 app has been restructured and developed from scratch to speed up it. Latest filters combine more natural, rich and deep colors. The program offers basic tools like layers, masks and blending modes, so you can easily cope with complex and creative photo retouching. Luminar 2018 runs a new RAW processor that can operate high-resolution images in a shorter time. What I like the most is lens distortion correction features. This app has over 40 filters for color, sharpness and detail correction. New filters include the ability to enhance color with Brilliance, selectively brighten or darken certain areas of an image with Dodge & Burn, as well as the ability to change lighting and add sun rays to a photo with sun rays.
8. Fotor
Official website: Fotor
Customers feedback: Fotor reviews
Alternatives: iPiccy, BeFunky, Photoscape
Best Mac For Photo Editing
- Very intuitive interface
- Free
- Wide selection of presets
- Advertising free
- Works with RAW
- Some features are limited
- Creates noise while working with image
- Low image retouching features
Fotor for Mac is recognized for its web version. Later as the company developed, they created an application for phones, Mac and Windows. It`s one of the best free photo editing apps for Mac, with an option to extend to Fotor Pro version, but the app does not require it and you will not see any built-in ads there. The range of tools is pretty wide, quite common and basic. Photo editing, cropping, text editor, various elements and more profound options like color correction, image retouching, textures along with the use of presets are all on board.
The program has four operating modes: Photo Editor, Touch Up, Collage and HDR, which generate a lot of space for work. Worth saying, Fotor supports manipulations with RAWs, which is rarely offered by free apps for photo editing. The app adds lots of noises to the image while I`m working with it, but they all vanish after saving the photo. Excellent presets are available, the variety is outstanding and quality is much higher than many best photo editing apps provide. Sincerely speaking, the retouch quality is less than average, but if you just need slings corrections of small defects of the skin, background, or just add shadows, then Fotor will cope with this very easily and conveniently.
9. Movavi Photo Editor
Official website: Movavi
Alternatives: Fotor, Lightroom CC, BeFunky
Best Photo Editors For Mac
- Easy to use
- Intuitive user interface
- Primitive and elevated tools selection
- Not great value for the money, both commercial and business versions
- There`s a lot of space to improve the feature set
Movavi Photo Editor is a fast, simple and fairly functional image editor compared to most photo editor apps. It is like the mix of Photoshop, Lightroom and Pixelmator. This is a program with quite impressive photo enhancement features, with an elegant interface and effective workflow. Guide and tips help in onboarding – they are much more informative than in the Photoshop, so you get used to the interface elements shortly after you start using it. The photo editing app itself is functional enough for people who have no desire to study Lightroom or other similar photo editing softwares.
The great feature in Movavi Photo Editor is the “restoration” of old photos. It automatically removes scuffs and scratches. The function is based on neural networks technology. This means that with each following upgrade it is to edit photos even better because it is trained on the basis of previously edited materials. The only thing that “Restoration” cannot do is to add color to black and white photos. But if the photo turned yellow with time or was in sepia originally, then it will turn black and white after using “Restoration” tool.
After a few days using Movavi Photo Editor, it became clear that the photo app for Mac is designed for those who want to quickly edit photos on the non-professional level without additional actions taken. It does not replace both Photoshop and Lightroom, or analogues developed by Affinity Co.
10. Polarr
Official website: Polarr
Alternatives: Movavi, BeFunky, InPixio
Free Photo Editor For Mac
- Easy to use
- Each filter is customizable
Best Html Editor Mac
- Too limited in work
Polarr is a photo editor that has professional tools, but this application is simple and user-friendly. There is a large number of features, but it does not overload the app. There are internal purchases offered, but all the key features are free so it can be compared to any of the listed photo editor app free here. For those who do not want to do color correction manually, there are filters. Worth saying that filters in this software are not just covered effects, instead they are implemented as the quick setting of image parameters.
Basic Photo Editor For Mac
As for the functionality of the photo editing app in general, it supports work with most image formats available, including RAW, provides a set of color correcting masks, filters, curves, gives users access to a variety of tools that allow managing hue, brightness, clarity, sharpness, balance tone, blur etc. In the matter of fact, it takes some time to deal with all the features Polarr Photo Editor offers, but taking into account the great variety of tools, the interface looks pretty light and laconic. The developer visually divided mainframe into two parts sharing all the tools and feature icons between them, so that user can focus on the image while being supported by all features available at a glance.